Susana was born in Buenos Aires Saporiti. Graduated from the Industrial College of Applied Arts Fernando Fader as a master of drawing, printmaking and metals. Its formation in the paint because Wisnia Elena, and Juan Francisco López Taetzel Travieso. Exhibition: 1960 Make some murals for the dining lounge of the Faculty of Medicine of Buenos Aires 1961 collaborated with the writer Beatriz Juarez in his workshop. 2 Gets the Prize 1963 "Mural" by the Argentina Association of Floriculture in Galera de Las Americas. 1970 he joined the workshop of the painter Elena Wisnia. 1971 1 Individual Exhibition at the "Club Dr. Marcelo J. Fitte" (Cap. Fed.) 1972 2 Individual Exhibition held at the "Casa de la Cultura de Ramos Mejia." Exhibits 1974 Collage Series "Homage to Proust based on his book" In Search of Lost Time. "Exhibition at the studio of pianist William Iscla a series based on the" Rquiem "by Gabriel Faur, (tribute). 1976 Individual Sample room exposures ECKOS "of Buenos Aires 1988 is a member of Travieso Francisco workshop. 1990 Exhibition at the Galley "Christel K" 1992 Buenos Aires participates in various group shows: stimuli of Fine Arts, Museum Svori, National Salon of Plastic Arts (for authors of Italian origin .) 2000 Integra Group Svori The Boca Museum with maestro Juan López Taetzel. 2003 lives in the neighborhood of La Boca where he has his workshop. Magallanes N 949 / Te. 4301-4420. Exhibits 2003 "Images of La Boca Recoleta Cultural Center. 2004 Invited to inaugurate an exhibition of 15 works of multigear Space Comptroller General of the nation. Susana Saporiti, formal and chromatic integracin, austerity and beauty. The landscape of La Boca de Susana Saporiti us to a formal universe, developed based on interior scenes, the port, streets, landmark buildings, with the swell. In some cases reflected in the paintings on topics about, others sensed and in ms, estah, although you can not see. La Boca is a place for creative plastic emblematic of Argentina and it shows. His pictorial action is concentrated and channeled into consecucin of elements that, once developed, form the foundation of landscapes that have a great personality. Try to simplify the overall context that shapes, highlighting the absence of human figures. Delves into the most emblematic angles and areas, with precision, but no matter the angle, looking for complex positions, some unusual, but always within a compositional clarity. Employs Oil on canvas, without abusing the thick brush, not the gesture or the filling matric, but always with the intention of determining the extent of one's own elaboration. Thus achieved a harmony between form, composition, angle, area, color and distribution of elements. It is a formal construction, clearly synthetic, because with four elements form a landscape, which, however, estdesnudo, but has a lot of inner life. The color is varied, bright sunshine highlighting the lighting of the sun affecting restraint in the buildings and houses, settling a construction site in the compositional dynamics understood with Determination, harmonic, showing existing general equilibrium. His landscapes of La Boca are very special to Argentina painter, born in Buenos Aires, since labernticos travels to the interior of the shape itself, which is pure abstraction. In some works is able to abstract the form so that what is envisaged is the pure. In others, the angles of the chosen composition show landscapes, sometimes clearly, because there are more descriptive elements, while in others, his speech becomes more austere formally speaking. On the other hand continue to see the speech of how their work based on the female nude. It explores with precision, seeking warmth, shape for form, within the canons of beauty, general equilibrium in which clear and bright areas alternate with more stylish and beautiful areas directly structured. The nude, which is essentially female, noted for its warmth, as the colors used highlight the harmony of forms in a well distributed. There is a clear absence of complementary elements, because the artist likes to highlight the composition based on naked as expression of purity and structure. His other landscapes, are the general guidelines of its most emblematic discourse, based on the balance of forms, the utilization restrained color, but without sacrificing the warmth and intensity of tones. Actually produced landscapes in other landscapes, it depicts fragments thereof, which introduce you to other landscapes, changing the general sense of what is observed. And this is as not to present new approaches to landscape in line with today, but what really makes a aproximacin from the composition of each landscape theory that imprisons many thousands and millions of them, like the din mica that makes up life itself. We are composed of millions, trillions and trillions of cell, quadrillion formal possibilities, but nevertheless, a classic visinms us down to a few approaches. His series dedicated to interiors and still lifes exhibit combinatorial possibilities in which shape, color, perspective, angles, lines, structures and architectures affect approach, which is very important in the light and perspective. According to the amount of light with respect to the general consideracin lighting in the area, the number of angles involved transforming the idea. The same object, bouquet, vase, etc. darkens or lightens depending on the light, changing the shape. From the lighting of ahque painted everything depends on the amount of light and affects the final formal result. She is an artist who cares for the outlook, the compositional distribution, the angles, the color and lines, looking for notes from formal and chromatic originality from the essence of his vision. Note: Text prepared for the Exhibition of Susan Saporiti in Hiplito Rest & Art. Joan Forestry Association Llus International art critic